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Why Your Last Show Didn't Fill The Next One | Renegade Musicians
gigging musicians

You Know This Moment

It's three days before your show.

You've posted on Facebook. Twice. Maybe three times. You designed the graphic. You spent $150 on ads. You texted your friends.

And you have absolutely no idea if anyone is coming.

You're capable. You're organized. You manage complex things in other areas of your life.

But you can't answer this simple question: "Will people show up?"

That uncertainty is exhausting. And it's stealing the joy from something you love.

The Moment That Breaks Your Heart

After your last show, someone approached you.

They had tears in their eyes. They told you: "That was exactly what I needed tonight. Your music helped me process something I've been carrying. Thank you."

A real connection. A real fan. Someone who genuinely wanted more of what you create.

And then they walked out the door and disappeared.

Maybe they'll see your next Facebook post. Probably not.

You have no way to reach them.

You spent 8 hours promoting that show. You connected with someone who truly valued your music. And now they're gone—not because they don't care, but because there's no system to stay connected.

The Number They Don't Tell You

Here's what nobody mentions when they tell you to "just post more on social media":

Facebook shows your post to 6% of your followers.

Read that again.

You have 500 followers? 30 people see your post.

You spent an hour crafting that announcement? 30 people.

You posted three times because you weren't sure if people saw it? Still mostly the same 30 people.

Social Media

500 followers = 30 people see your post.

Email

500 addresses = 150-250 people see your message.

Meanwhile, your email inbox has a 30-50% open rate. Not 30. Not "maybe if the algorithm is kind." Every time. No algorithm. No hoping.

What It's Actually Costing You

You think the cost is the $100-300 you spend on ads each show. That's $2,400 a year you can't track. That stings.

But that's not the real cost. The real cost is this:

You've been performing regularly for years. You've improved as a musician. You've written better songs. You've become more comfortable on stage. But your audience hasn't grown.

You're still reaching the same 30-50 people. Still spending the same hours on promotion. Still feeling the same anxiety before every show. Because every single month, you start from scratch.

Those 35 people who came last month? You can't reach them directly. You have to hope they see your post. Hope the algorithm is kind. Hope they're not too busy. Hope they remember.

Years of effort. No progress. No foundation. No momentum.

The Dream You're Not Pursuing

You want to record an album. You've wanted this for years. You have the songs. You could make the time work.

But you haven't done it. Why? Because you're stuck in the promotion hamster wheel. Every show takes so much mental energy—the posting, the hoping, the stress, the uncertainty—that you have nothing left for the big dream.

The album isn't just about recorded music. It's legacy. Proof. Something permanent that says "I was here. I created this. My music mattered." Something that captures this season of your life before it's gone.

The Permission You've Been Waiting For

Here it is: You don't have to play their game.

You're not failing at social media. Social media is failing you. You don't need more Instagram followers. You don't need to master TikTok. You don't need to become a content creator. You need something you actually own.

What Changes When You Own Your Audience

Imagine this: Someone loves your show. They tell you it was beautiful. They thank you. And you say: "I'm so glad. Would you like to know when I'm performing next?" They say yes. They give you their email.

Now you can actually reach them. Two weeks before your next show, you send an email. Not to 500 Facebook followers where 30 people might see it. To 200 real people who asked to hear from you. 60 of them open it. 15 reply saying they'll be there.

The Math That Changes Everything

  • First show: 5 people give you their email.
  • Six months: 75 emails. 12-15 people show up consistently.
  • One year: 200 emails. 30-40 people at shows. You know their names.
  • Two years: 500 emails. 60-80 people at shows. Better venues reach out to YOU.

What You're Really Afraid Of

You're afraid that if you don't build your audience NOW—while you have time to experiment, while the stakes are manageable—you'll be starting from scratch years from now. When you finally have more freedom to pursue music seriously, you'll have no foundation.

The cost is looking back years from now and thinking: "I had everything I needed. The talent. The resources. The time. Why didn't I just BUILD this?"

There's a Different Way

Social media isn't broken. It's just not yours. But email? That's yours. Those relationships? Yours. That list of people who actually want to hear from you? Yours.

What Happens Next

At your next show, you collect email addresses. Simple signup sheet. Mention it from stage once or twice. People who want to hear from you will sign up. This is what social media promised and never delivered: actual connection with your audience.

Start At Your Next Show

You don't need a fancy system. You need three things:

  1. A way to collect emails at your shows
  2. A welcome message to send them
  3. A simple way to invite them to your next performance

Every show without collecting emails is a missed opportunity.

— Malene
Sound engineer, musician, and recovering social media hamster wheel survivor

Who I Am

Malene — Sound engineer and musician from Norway.

I've watched talented musicians burn out trying to "do social media right." This is the different approach for performers who want to build a real audience.

You don't have to play their game.